9074| CRITICISM solved quiz autumn
2024
Which of the following statements about Johnson's approach to
Shakespeare is true? Question 1Answer a. Johnson was one of the earliest
critics to defend Shakespeare's works. b. Johnson thought Shakespeare's works
should be re-written for modern sensibilities. c. Johnson believed Shakespeare
was too sentimental in his portrayals. d. Johnson never wrote about Shakespeare
in detail.
The correct answer is:
Johnson was one of the earliest critics to
defend Shakespeare's works.
Explanation: Samuel Johnson, in his
"Preface to Shakespeare," praised Shakespeare's ability to capture
the full range of human experience and defended the universality and
naturalness of his works. He was a significant figure in literary criticism and
strongly supported Shakespeare's contribution to English drama.
You said:
Who says, “a poetry is the first light-giver to ignorance, it
nourished before any other art or science”? Question 2Answer a. F P Shelley b.
Sidney c. P B Shelly d. Spenser
The correct answer is:
Sidney
Explanation: Sir Philip Sidney in "An
Apology for Poetry" claims that poetry is the "first light-giver to
ignorance" and emphasizes its foundational role in nourishing human
understanding before any other art or science.
You said:
In Biographia Literaria, Samuel Taylor Coleridge discusses the
distinction between: Question 3Answer a. Tragedy and comedy b. Poetry and drama
c. Classical and romantic literature d. Imagination and fancy
The correct answer is:
Imagination and fancy
Explanation: In Samuel Taylor Coleridge's Biographia
Literaria, he elaborates on the distinction between
"imagination" and "fancy." He considers imagination to be a
creative and transformative faculty, further dividing it into
"primary" and "secondary" imagination. Fancy, on the other
hand, is a mechanical process, merely rearranging pre-existing ideas without
producing anything truly original.
You said:
The Preface to Lyrical Ballads" is the collaboration of
_______ with Wordsworth. Question 4Answer a. Keats b. None of above c. Coleridge
d. Yeats
The correct answer is:
Coleridge
Explanation: The Preface to Lyrical Ballads was
primarily written by William Wordsworth, but the Lyrical Ballads itself was a
collaboration between Wordsworth and Samuel Taylor Coleridge. Coleridge contributed
significant poems like The Rime of the Ancient Mariner to
the collection.
You said:
for ever ans 1st used document then used google Which of the
following is NOT a distinctive feature of poetry? Question 5Answer a. It uses
rhythm b. It uses language c. It uses harmony d. It is written in verse
The answer is d. It is written in verse.
Explanation: While rhythm, language, and
harmony are common distinctive features of poetry, not all poetry is
necessarily written in verse form. Some poems are written in free verse or
prose, which lack traditional verse structure.
You said:
Sidney wrote An Apology for Poetry as a reply to Stephen Gosson’s.
Question 6Answer a. A School Of Abuse b. The School for Abuse c. None of the above
d. The School Of Abuse
The correct answer is:
A School of Abuse
Explanation: Sir Philip Sidney wrote An
Apology for Poetry as a direct response to Stephen Gosson's A School
of Abuse, which criticized poetry and dramatists as corrupting
influences on society.
You said:
What is the name for a shift in tone or meaning of a
sonnet______________? Question 7Answer a. Volta b. Petrarchan c. Iambic
Pentameter d. Octave
The correct answer is:
Volta
Explanation: In the context of sonnets, a volta
is the term used to describe the shift in tone, perspective, or meaning. This
turn often occurs between the octave and sestet in Petrarchan sonnets or before
the final couplet in Shakespearean sonnets.
You said:
In what ways is Lyrical Ballads different from much of the
poetrythat was popular when it was published? Question 8Answer a. It features
poems that focus on nature and rural communities. b. It calls for even more
strict and rigid poetic forms. c. It contains poems that are more complicated
and acdemic in tone. d. It sought to stimulate the reader's reasoning minD)
The correct answer is:
It features poems that focus on nature and
rural communities.
Explanation: Lyrical Ballads marked a departure
from traditional poetry by focusing on nature, rural life, and the experiences
of ordinary people, using simple language to evoke deep emotional responses.
This approach was different from the more formal and intellectual poetry of the
18th century.
You said:
Coleridge's idea of "organic form" in Biographia
Literaria is most closely associated with which of the following? Question
9Answer a. The notion that form and content should be separate b. The idea that
poetry should follow strict classical rules c. The notion that poems should
have a rigid, predictable structure d. The idea that the form of a poem arises
naturally from its content
The correct answer is:
The idea that the form of a poem arises
naturally from its content.
Explanation: In Biographia Literaria, Samuel Taylor
Coleridge discusses "organic form," emphasizing that the structure of
a poem should develop naturally from its content, rather than conforming to
rigid or pre-existing forms.
You said:
The preface to fable is a pioneering masterpiece in comparative
_________. Question 10Answer a. None of above b. dialogue c. criticism d.
Description
The correct answer is:
Criticism
Explanation: The "Preface to Fables"
by John Dryden is a pioneering work in comparative criticism, reflecting on the
art of poetry, translation, and adaptation of classical literature.
You said:
In his criticism, Johnson was particularly critical of Shakespeare’s:
Question 11Answer a. Irregularities in the plot structure b. Excessive use of
supernatural elements c. Complex characters and intricate plots d. Tragic
endings
The correct answer is:
Irregularities in the plot structure
Explanation: Samuel Johnson, in his
"Preface to Shakespeare," was critical of Shakespeare's
irregularities in plot structure and the mixing of tragic and comic elements in
his plays. He found fault with Shakespeare's lack of adherence to the classical
unities of time, place, and action, but he also acknowledged Shakespeare's
genius and his profound understanding of human nature.
You said:
He was the first European Critic who emphasised the importance of
style. Question 12Answer a. Shakespeare b. Sophocles c. Ben Jonson d. Longinus
The correct answer is:
Longinus
Explanation: Longinus is recognized as the
first European critic to emphasize the importance of style in literary works.
His treatise On the Sublime discusses the
principles of sublimity, which includes a focus on the stylistic and aesthetic
elements of great writing.
You said:
Coleridge's concept of "the one life" in Biographia
Literaria refers to: Question 13Answer a. The interconnectedness of human and
divine experiences b. The unity of all natural forms and phenomena c. The
relationship between the poet and the reader d. The idea that all humans share
a single consciousness
The correct answer is:
The unity of all natural forms and phenomena
Explanation: In Biographia Literaria, Samuel Taylor
Coleridge's concept of "the one life" refers to the unity and
interconnectedness of all natural forms and phenomena, emphasizing the
spiritual and physical bond between all elements of creation.
You said:
One of the key concepts in Longinus' theory of the sublime is the
idea of __________ which he defines as a state of being transported outside of
oneself by the power of great writing. Question 14Answer a. Ecstasy b.
Philosophy c. Divinity d. Eternity
The correct answer is:
Ecstasy
Explanation: In Longinus' On the
Sublime, one of the central concepts is "ecstasy," which
he defines as a state where the reader or listener is transported outside of
themselves through the power of great writing. This state reflects the ultimate
goal of sublime literature, achieved by powerful language, vivid imagery, and
emotional intensity.
You said:
____________argues in The Republic that poetry is representation of
mere appearances. Question 15Answer a. Sophocles b. Archimedes c. Plato d.
Aristotle
The correct answer is:
Plato
Explanation: Plato, in The
Republic, criticizes poetry as merely a representation of
appearances, arguing that it is far removed from the truth and reality. He
contends that poetry appeals to emotions and can mislead people rather than
guide them towards rational understanding
You said:
________________is a change from ignorance to knowledge. Question
16Answer a. Desis b. Anagnorisis c. Drama d. Purgation
The correct answer is:
Anagnorisis
Explanation: In Aristotle's Poetics,
"anagnorisis" refers to the moment of recognition or discovery,
representing a shift from ignorance to knowledge. It is often a turning point
in the plot of a tragedy, as seen in classic examples like Oedipus
Rex, where Oedipus realizes the truth about his identity.
You said:
Which of the following is not one of the "three unities"?
Question 17Answer a. Unity of character b. Unity of place c. Unity of time d.
Unity of action
The correct answer is:
Unity of character
Explanation: Aristotle's "three unities"
are unity of time, unity of place, and unity of action, as outlined in his Poetics.
These unities ensure that a tragedy is focused, coherent, and realistic. Unity
of character is not part of Aristotle's framework.
You said:
The only difference between the language of prose and the language
of poetry is________. Question 18Answer a. Use of Feelings b. Use of Words. c.
Use of Metre d. Use of Emotions
The correct answer is:
Use of Metre
Explanation: The distinction between the
language of prose and poetry, as discussed in classical literature, often
hinges on the use of metre. Poetry traditionally employs structured metrical
patterns, which differentiate it from prose that follows more natural language
rhythms
You said:
Which of the following is not "art" in the Greek sense of
the word? Question 19Answer a. Tragedy b. A peacock's feather c. A spear d. A
table
The correct answer is:
A peacock's feather
Explanation: In the Greek sense of the word
"art" (technē), art refers to something
crafted or created by human skill and intention. A peacock's feather, being a
natural creation, does not fall under this category. Items like tragedy, a
spear, and a table involve human craftsmanship and are considered art in the
Greek context.
You said:
There are three kinds of poetry stated by Sidney in An Apology for
Poetry. They are religious, philosophical and ……………... Question 20Answer a.
Psychological b. Existential c. Imagination d. Historical
The correct answer is:
Historical
Explanation: In An Apology for Poetry, Sir Philip
Sidney classifies poetry into three kinds: religious, philosophical, and
historical. This categorization reflects his view of poetry's diverse
functions, from expressing divine truths to offering moral teachings and
documenting historical events
q Sidney’s
influence extends to which of the following contemporary literary figures?
Question 21Answer a. Edmund Spenser b. William Wordsworth c. John Milton d.
Geoffrey Chaucer
Edmund Spenser
This aligns with the Renaissance literary
framework and Sidney's contributions, which significantly influenced
contemporaries like Spenser in their poetic approaches.
You said:
In
___________the main action can be described through the objectives of the
character. Question 22Answer a. Diction b. Song c. Mythos d. Spectacle
The correct answer is:
Mythos
In Aristotle's Poetics, "mythos"
refers to the plot or the arrangement of incidents, where the main action is
driven by the objectives and motivations of the characters.
You said:
all question
ans with hlep of the docoment that i uploaded'
Based on the uploaded document, here are the
answers to the questions:
Sidney’s
influence extends to which of the following contemporary literary figures?
Answer: a. Edmund
Spenser.
In ___________
the main action can be described through the objectives of the character.
Answer: c. Mythos.
For the rest of the questions, could you please
specify the exact question or section so I can pinpoint the details? I’ll provide
accurate answers directly from the document.
You said:
Without poetry
our science will appear ________________ . Question 23Answer a. Complete b.
Incomplete c. Logical d. Pure
The correct answer is:
Incomplete
The sentiment aligns with the idea that poetry
complements and enriches science by addressing the emotional and imaginative
aspects of human experience, which are often absent in pure logical inquiry.
You said:
Eliot compares
the relationship between the individual poet and tradition to: Question
24Answer a. A conflict between the artist’s vision and public opinion b. A
dialogue where the poet constantly engages with the past c. A static
inheritance of pre-existing works d. A battle between modernity and the past
The correct answer is:
A dialogue
where the poet constantly engages with the past
T.S. Eliot, in "Tradition and the
Individual Talent," emphasizes that the poet’s work is part of a larger
continuum, where the individual engages with and contributes to the ongoing
dialogue of tradition.
You said:
On what grounds
does Johnson defend Shakespeare’s violation of Unities in his plays: Question
25Answer a. Strict observation of the Unities spoil the dramatic effect b. The
observation of the Unities is artificial c. The observation of the Unities is
not possible on the stage d. Strict observation of the three Unities is not
possible in real life
The correct answer is:
Strict
observation of the Unities spoil the dramatic effect
Dr. Samuel Johnson defends Shakespeare's
violations of the classical Unities (time, place, and action) by arguing that
strict adherence to them limits the dramatic effect and the playwright's
ability to depict the complexities of human experience realistically and
engagingly.
You said:
In Tradition
and the Individual Talent, Eliot argues that an artist must: Question 26Answer
a. Be completely detached from historical influences to be truly creative b.
Reproduce the artistic conventions of the past in the same manner c. Create in
isolation, without knowledge of the past d. Develop a sense of historical
awareness and engage with the literary tradition
The correct answer is:
Develop a sense
of historical awareness and engage with the literary tradition
In "Tradition and the Individual
Talent," T.S. Eliot emphasizes that a poet must have a historical sense,
which involves understanding and engaging with the literary tradition while
contributing something new to it.
You said:
Chaucer and
Boccaccio are _____ writers. Question 27Answer a. Medieval b. Greek c. classic
d. None of above
The correct answer is:
Medieval
Chaucer and Boccaccio are both considered
medieval writers, as their works were produced during the Middle Ages and
reflect the themes and styles of that period.
You said:
In his
criticism of Shakespeare, Samuel Johnson emphasized the importance of: Question
28Answer a. Historical accuracy b. The role of spectacle and visual grandeur in
drama c. Human nature and universality of emotion d. Strict adherence to
classical unities
The correct answer is:
Human nature
and universality of emotion
Samuel Johnson praised Shakespeare for his deep
understanding of human nature and the universality of emotions portrayed in his
works, arguing that these qualities make his plays timeless and relatable.
You said:
Matthew Arnold
says that __________ poetry has truth of substance. Question 29Answer a. Gray's
b. Chaucer's c. Wordsworth's d. Pope's
The correct answer is:
Wordsworth's
Matthew Arnold highlights Wordsworth's poetry
as having a "truth of substance," emphasizing its profound reflection
on life and human nature.
You said:
What was
Johnson’s stance on the moral aspect of Shakespeare's plays? Question 30Answer a.
Shakespeare's plays should always present clear moral lessons. b. Shakespeare's
plays are too moralistic for modern audiences. c. Shakespeare’s plays do not
address moral issues. d. Shakespeare's plays are often morally ambiguous but
still valuable.
The correct answer is:
Shakespeare's
plays are often morally ambiguous but still valuable.
Samuel Johnson acknowledged that Shakespeare's
plays often contain moral ambiguity but defended their value by highlighting
Shakespeare's deep exploration of human nature and the complexity of moral
decision
